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Lorrie Fredette Press

Canopy at Garrison Art Center

Garrison Art Center, August 26, 2013

…the thick clustering of repeating forms remind us the the whole is often more consequential than the sum of individual parts.

Fredette’s Implementation of Adaptation installation is an experiential threat. This site-specific installation of mixed media sculptural elements hovers 40 inches from the gallery floor. It can be viewed from 360 lateral degrees and also from a supine position underneath the piece itself via a dolly, creating essentially a second installation for those who dare to lie.

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The Great Silence

by Britt Beedenbender
Artscope Magazine, July/August 2011

Suspended from thin shimmering filaments, thousands of honey-colored pods create an undulating canopy of simple beauty…

In part, what makes Fredette’s work so unusual, and hence powerful, is that she finds inspiration from the medical sciences and has a particular interest in microscopic imagery.

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Great Silence at Cape Cod Museum of Art

Cape Cod Museum of Art, 2011

The Great Silence is the most current factual version of a grossly eroded memory and its progression.

Fredette’s work is inspired by medical sciences. She is particularly interested in the way that information is collected and passed on. Fredette says of her work: Like tales of big fish, it is often distorted and misrepresented in the telling.

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Cell Mates at the Walsh Gallery

by Cate McQuaid
Newark Arts Council, 2013

A wide range of  topics related to cellular forms will be presented, creating a discursive exploration into microorganisms and concerns derived from their study.

The Walsh Gallery at Seton Hall University presents “Cell Mates” two group exhibitions curated by Jeanne Brasille, Gallery Director and Lisabeth Murray, Independent Guest Curator.

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